[The Black Man in the Cosmos]
full dome & multi-channel screen installations video
color video, installation, surround sound
18 minutes
(2020)
full-dome installation display, Cardiff (Wales, UK 2021)
“There’s a connection between music,space and the future.
The cosmos is the answer.”
Introduction (part. 2)
The cosmos is the answer.”
Introduction (part. 2)
The installation links animations, photographies and archive materials with the incendiary here and now, blending mythology and historical narrative.
Artis Planetarium (Amsterdam, Netherland, 2022)
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On th
3D interractive, five channel video installation, sculptur
color video, installation, surround sound
music by CKTRL
4 minutes 30
( Summer 2025)
As a response to traumas and alienation humans can grow fascination for the interconnectedness of artefacts; an interest that lies in the search of threads that would interweave various clues that could be re-interpreted, re-played or re-made to create a sense of existence.
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[I come to you as the myth]
3D interractive, five channel video installation, sculptur
color video, installation, surround sound
music by CKTRL
4 minutes 30
( Summer 2025)
As a response to traumas and alienation humans can grow fascination for the interconnectedness of artefacts; an interest that lies in the search of threads that would interweave various clues that could be re-interpreted, re-played or re-made to create a sense of existence.
virtual mock-up
adaptation version of the installation for smaller display
On th
[Memoria 2020, when memories are no longer enough]
three channel
video installation
color video, installation, surround sound
14 minutes
color video, installation, surround sound
14 minutes
A time capsule documenting the euphoria of seeing oneself reflected in a Black culture that feels both familiar and distant, revealing how cultural memory transcends borders while remaining rooted in specific historical legacies.
At the heart of this installation is the Mardi Gras Indian community, a striking counter-narrative to the fragmented diasporic experience of the Black French community, which continues to grapple with systemic invisibility within the broader framework of French identity.
By positioning New Orleans as a site of cultural reclamation, Memoria interrogates the philosophical relationship between memory, identity, and performance.
At the heart of this installation is the Mardi Gras Indian community, a striking counter-narrative to the fragmented diasporic experience of the Black French community, which continues to grapple with systemic invisibility within the broader framework of French identity.
By positioning New Orleans as a site of cultural reclamation, Memoria interrogates the philosophical relationship between memory, identity, and performance.
Photogrphie
: Kevin Nicholas
